{"id":25070,"date":"2024-10-08T13:20:27","date_gmt":"2024-10-08T13:20:27","guid":{"rendered":"https:\/\/iran-gma.com\/%d9%85%d9%82%d8%a7%d9%84%d8%a7%d8%aa\/"},"modified":"2026-07-25T15:47:26","modified_gmt":"2026-07-25T15:47:26","slug":"articles","status":"publish","type":"page","link":"https:\/\/iran-gma.com\/en\/articles\/","title":{"rendered":"Articles"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"25070\" class=\"elementor elementor-25070 elementor-18775\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"wd-negative-gap elementor-section elementor-top-section elementor-element elementor-element-ac0f412 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ac0f412\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-691d8e6\" data-id=\"691d8e6\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t<div class=\"wd-negative-gap elementor-element elementor-element-7bc76db e-flex e-con-boxed e-con e-parent\" data-id=\"7bc76db\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-24ab0dc elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"24ab0dc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2089fa9 color-scheme-inherit text-left elementor-widget elementor-widget-text-editor\" data-id=\"2089fa9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<h3 style=\"text-align: right;\">Article Title:<\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #008000;\">A Critique of Gunther Pauli&#8217;s The Blue Economy Theory. 2017 Edition<\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-25df0a0 text-center color-scheme-inherit elementor-widget elementor-widget-text-editor\" data-id=\"25df0a0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<h4 style=\"text-align: right;\"><strong>Abstract<\/strong><\/h4>\n<h4 style=\"text-align: right;\"><span style=\"color: #0000ff;\"><strong data-start=\"61\" data-end=\"75\">The blue economy<\/strong><\/span> is an innovative theory by <em data-start=\"98\" data-end=\"112\">G\u00fcnter Pauli<\/em> that proposes sustainable development based on local resources, without waste and debt. This eco-oriented model has attracted a lot of attention, especially in <span style=\"color: #0000ff;\">critical environmental and energy conditions<\/span>. However, the blue economy also faces criticisms, including the difficulty of fully implementing it in industry. A proper understanding of this model prevents misinvestments and can provide practical solutions for local businesses. Also, this theory needs to be reinterpreted in the context of <span style=\"color: #0000ff;\">Generation Z and Alpha<\/span>, a generation that is tied to technology, environmental concerns, and digital innovation. The blue economy will only be effective if it provides the tools, as well as inspiration, to the next generation.<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-408c16d elementor-align-center elementor-widget elementor-widget-button\" data-id=\"408c16d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-md\" href=\"\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Download article<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-95c29c9 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"95c29c9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7e15dd7 color-scheme-inherit text-left elementor-widget elementor-widget-text-editor\" data-id=\"7e15dd7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<h3 style=\"text-align: right;\">Article Title:<\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #008000;\">Negative Aesthetics from the Perspective of Arnold Berlint<\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-abb5ffb color-scheme-inherit text-left elementor-widget elementor-widget-text-editor\" data-id=\"abb5ffb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<h4 style=\"text-align: justify; line-height: 115%; direction: rtl; unicode-bidi: embed;\"><b><span lang=\"FA\" style=\"font-size: 14pt; line-height: 115%; font-family: 'B Nazanin';\">Abstract\n<\/span><\/b><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: 'B Nazanin';\">Arnold Berlint, by focusing on sensory experience in aesthetics, which is not always accompanied by positive feelings, analyzes the question of why and how aesthetic values \u200b\u200bare negative in order to expand the scope of aesthetics beyond the &#8220;beautiful&#8221; and its application in the artistic field. And since aesthetics for Berlint is an empirical matter, in order to open up this scope, he does not categorize aesthetic states (positive and negative) and deals with the identification of aesthetic states. Therefore, Berlint <span style=\"color: red;\">refers to sensory experiences that do not have positive value as <\/span><\/span><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: Cambria, serif; color: red;\">&#8220;<\/span><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: 'B Nazanin'; color: red;\">under beauty<\/span><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: Cambria, serif; color: red;\">&#8220;<\/span><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: 'B Nazanin'; color: red;\"> names<\/span><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: 'B Nazanin';\">.<\/span> <span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: 'B Nazanin';\">\n<\/span><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: 'B Nazanin';\">By introducing the characteristics of negative criticism in the field of art, Berlint reveals the breadth of negative aesthetics and its various forms in relation to art criticism. One of these types is what is commonly called bad taste. By explaining the relationship between ethics and negative aesthetics, the possibility of social and moral evaluation of artistic objects and environmental pollution is presented to the audience, and by going beyond positive aesthetics, a new topic is introduced under the title of &#8220;Negative Aesthetics Beyond Art&#8221;. color: red;&#8221;>&#8221;<\/span><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: 'B Nazanin'; color: red;\"> and provides reflection on the environmental crisis for study<\/span><span lang=\"FA\" style=\"font-size: 12pt; line-height: 115%; font-family: 'B Nazanin';\">.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-afe0445 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"afe0445\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-md\" href=\"https:\/\/iran-gma.com\/wp-content\/uploads\/2023\/12\/1.pdf\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Download article<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Article Title: A Critique of Gunther Pauli&#8217;s The Blue Economy Theory. 2017 Edition Abstract The blue economy is an innovative<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-25070","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/iran-gma.com\/en\/wp-json\/wp\/v2\/pages\/25070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iran-gma.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/iran-gma.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/iran-gma.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/iran-gma.com\/en\/wp-json\/wp\/v2\/comments?post=25070"}],"version-history":[{"count":5,"href":"https:\/\/iran-gma.com\/en\/wp-json\/wp\/v2\/pages\/25070\/revisions"}],"predecessor-version":[{"id":25084,"href":"https:\/\/iran-gma.com\/en\/wp-json\/wp\/v2\/pages\/25070\/revisions\/25084"}],"wp:attachment":[{"href":"https:\/\/iran-gma.com\/en\/wp-json\/wp\/v2\/media?parent=25070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}